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Even while adopting opposing methods, representatives of all three approaches were unanimous in regarding rhetoric and music as "sister" disciplines.
Furthermore, French musicians and rhetoricians alike rejected the prevailing idea that the relationship between these disciplines was hierarchical, with rhetoric the dominant sibling.
For instance, rhyming lend/send is a single rhyme, in which each word consists of a single syllable.
However, the words lending/sending constitute a double rhyme because two rhyming syllables are used.
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This shift helps to explain why the notion that music "imitated" the structures and conventions of rhetoric, while popular in other regions, is to be found in no French source after c.1640[quoted from Une espèce d'éloquence dans la musique : Embracing a Dis-Figured Rhetoric in France by Jonathan Gibson](French) in the 14th century, Guillaume de Machaut (c.1300-1377), popularized the new lyric genres such as the rondeau, ballade, lai, and virelai and is considered to have been the leader of the new rhétorique, or poetic art.